Art work at carnegie museum of modern art view of a vagina

With the arrival of digital reproductive technologies, the tension between traditional and digital media has become an important focus of much contemporary artвЂ¦ Read moreДr Colin Rosewell is an independent contemporary visual artist, researcher and educator who provides a range specialised services to the contemporary visual arts and creative industries. Throughout history, artists have utilised new technologies within artistic production. Consequently, traditional and new media formations are modeled as continuously informing each other in an oscillating and reciprocal exchange and as part of an ongoing quest for вЂpoetic immediacyвЂ™.

With this in mind, this exegesis and parallel studio practice explores the potential in вЂtransparent immediacy to facilitateвЂ™ transcendence in hybrid forms of painting through the tacit application of reproductive technologies. The theory of remediation offers two descriptive tools вЂhypermediacyвЂ™, in which the medium isД®xplicitly apparent, and вЂtransparent immediacyвЂ™, where the goal is to make the medium(s) disappear in order to bring experience as close as possible to a suspension of disbelief through the concealment of technology. For media theorists Jay David Bolter and Richard Grusin, such tensions form the basis of their now influential theory of вЂremediationвЂ™,a model with which to describe the manner in which older analogue media formations are refashioned and re-presented within the context of new media technologies. With the arrival of digital reproductive technologies, the tension between traditional and digital media has become an important focus of much contemporary art production and dissemination.

Art work at carnegie museum of modern art view of a vagina